why do i always fall in love
(with all these rotten people)
why can't i feel when it's enough
(i must be tormenting myself)
this is some form of slavery
(imprisoned in this headache)
i cant take this monotony
i beg of thee
these modern times
absolve my crimes
why do i always fall in love
(with all these rotten people)
why doesn't dying put me off
(no it thrills me)
but yet the spell repeats
your destiny is sealed once more
and how your heart it beats
then suddenly it's forevermore
i swear i've seen you once before
(a mask that smells of flowers)
your mask unravels days of yore
(i must remember, for myself)
deep love
(use your shovel to betray it)
(just exhume it when you need it)
why do i always fall in love
(with all these rotten people)
why can't i feel when it's enough
I see a grip of EOD tracks, I buy. Simple. One of my fav Rephlex alumni holistically homegrown sound & sequence wizards. A lush lord, a 24 speed frisky gear spinner, a hoot and a holler and a warm bass ‘n breaks breakfast in bed bewildering tapestry of sprites and wingdings. A melted, hot-tip prod into a padded gymnasium fashioned with chutes, ladders and inter dimensional strobe foam pits. And there’s a doorman along the way to provide the obligatory steamed towel and mints. Submersible Sanctuary
Very smooth and pleasant. Even the unusual sounds such as Horus are actually really likable
Naunet is hands down the nicest sound, blistering-blissful harmonics.
I don't consider the rest filler. sumgui
The Australian folk-pop singer tackles deconstruction, her Christian childhood, and sexuality on her infectious sophomore album. Bandcamp New & Notable Oct 14, 2023